The equipment listed as used by Jimmy Page is not a complete list, what follows is an almost complete listing of the equipment used by Page onstage with Led-Zeppelin from 1968 to 1980. Equipment that was used in the studio for the recording of the albums is largely unknown save for several instances as well as the occasional overlapping of instruments and effects used onstage that were also used in the studio, like for instance the 1959 #1 Les Paul that was used almost exclusively onstage and in the studio from mid-1969 until the end of Led-Zeppelin. On the other hand Page's Supro amplifier was used exclusively in the studio throughout Led-Zeppelin's existence and it's use is widely documented though the exact make and specifications of it have been witheld by Page over the years.
| Guitars | 1959 Gibson Les Paul #1 1959 Gibson Les Paul #2 1971 Gibson EDS-1275 "The Double Neck" 1959 Fender Telecaster "The Dragoncaster" 1961 Danelectro 3021 1960 Gibson Black Beauty Les Paul Custom 1969 Gibson Les Paul DeLuxe #3 1964 Fender Stratocaster 1977 Gibson RD Artist 2x Martin D-28 Dreadnought acoustic 1920 Gibson A2 Mandolin |
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| Amplifiers | Supro 1690T Coronado Hiwatt Custom 100 DR118 Marshall SLP-1959 Orange MatAmp Vox AC-30 |
| Pedals and Effects | Maestro FZ-1 Fuzztone Sola Sound Tonebender MKII Vox Wah-Wah Univox UD-50 Uni-Drive *To push the front end of the Marshalls in 1971 Maestro Echoplex EP-3 MXR M-101 Phase 90 MXR Blue Box Eventide H949 Harmonizer Sonic Wave Theremin |
Like with the numerous instruments, amps and effects used by Page both onstage and in the studio, a comprehensive list of equipment used by John Paul Jones in the studio is unfathomable and difficult to compile save for a few select instruments, Jones' 1962 jazz bass was his sole bass used on stage and in the studio until roughly 1971 when his '52 Telecaster Bass is first seen. Even less is known about Jones' amplifier use in the studio save the confirmation that his Acoustic 360 were used.
| Bass Guitars | 1962 Fender Jazz Bass 1952 Fender Telecaster Bass 1967 Fender Bass V 1951 Fender Precision Bass Selmer Futurama Upright Bass Alembic Series II Omega Bass Becvar Series I Triple Omega Bass |
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| Mandolins | C.F. Martin A-Style Mandolin Fender Mandolin Harmony H35 Mandolin Manson Triple Neck Mandolin, 6 and 12 string guitar |
| Keyboards | Mellotron M400 Fender Rhodes Marl 1 & 2 Electric Piano Hohner D6 Clavinet Hohner ElectraPiano Hohner Symphonic 30 N Hammond C3 Organ Hammon M-100 Organ Steinway B-211 Drawing Room Grand Piano Yamaha CP70B Electric Grand Piano Moog Taurus 1 Bass Pedals Fender Pedal Bass |
| Amplifiers | Acoustic 360 - 361PP Combo Fender Dual Showman Reverb *For keyboards Gallien-Krueger 400B Amplifier Gallien-Krueger GMT 600B Amplifier Trace Elliot AH250 GP11 SMX Amplifier |
| Pedals and Effects | Aphex Aural Exciter 602A Bill Dunn Custom Control System *For Bass Pedals Maestro PS-1A Phase Shifter |
Unlike Page and Jones who used an extensive variety of equipment in the studio as well as on stage, Bonham's exact kits used and owned are well documented as once he was endorsed by and started using Ludwig in January 1969, he never used anything different aside from various colors and finished and only the extra percussive instruments would vary, like his timpani, gong, and bongo drums.
| Drum kits | Ludwig Amber Vistalite Drumkit Ludwig Green Sparkle Drumkit Ludwig Silver Sparkle Drumkit Ludwig Stainless Steel Drumkit Ludwig Thermo Gloss Natural Maple Drumkit Slingerland Sparkle Drumkit |
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